Sunday, August 17, 2014

According to the second Farr extract (p.50-59), how did Hergé research China for The Blue Lotus?

According to the second Farr extract (p.50-59), how did Hergé research China for The Blue Lotus?

Herge had realized that for his next TinTin adventure (The Blue Lotus) he needed to take a different approach to what he had previously done in his earlier comics. Instead of creating exciting voyages in exotic lands with stereotypical characters like the greedy American gangsters or ‘superstitious Africans’ Herge felt the need to execute accurate portrayals of characters and the culture of China. Through the introduction of Chinese student Chang Chong-Chen who Herge became very close with, he discovered a fondness for Chinese art, poetry, language and philosophy. Due to this, Herge was able to gain the knowledge he needed to create an astounding and authentic adventure.
He did this through many different ways, for example Herge created depth in his authenticity by inserting Chinese symbolism, Chinese text and events that were significant to China during that time, specifically political affairs and the danger of war between the Chinese and Japanese. Herge showcased this in The Blue Lotus by portraying Japans arrival into Chinese territory, as well as the strip where TinTin is being marched around with a block collar that was commonly worn by prisoners. Throughout the comic, all scenes were perfected to look like China, we see TinTin being driven around in a rickshaw with even road signs and street names being accurate.
With the help from Chang Chong-Chen, and Newspaper clippings that advertised current events, Herge was able to create images that appeared realistic. For example, Herge imitated in drawing an armored tank that he found in a newspaper clipping, which he used in his comic. Because of this, Herge succeeded in creating an adventure that was real, captivating and detailed. Through the encounter of his Chinese friend, Herge continued to create real and authentic characters and settings for exciting adventures.

References
Farr, Michael. (1991). Introduction. In Tintin: the complete companion (pp.8-9). London: John Murray.
Herge. (2005; 1935). The Adventures of Tintin: The Blue Lotus. London: Methuen.

1 comment:

  1. Thanks Eloise. An ok response. Great references to the primary text! (although it would be nice if you added page numbers when you made the references). You have summarised (and at one point, directly cited) elements of the Farr extract but have not included in-text references. However, not too bad. Keep an eye on the clarity of your language..

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